storyloom

Chapter 10 - The Last Arrangement

The message was brief, typed in plain block letters with no punctuation.

You missed a spot in the ledger. Meet me at the studio at noon or the rest of the file goes to every bridal publication in the state.

I looked at the timestamp on the screen: 8:42 AM.

Thatcher stared down at his knees, shaking his head. "Don't go, Sloane. Let the lawyers handle it. If you go near her, she’ll just—she’ll destroy whatever is left."

"There is nothing left for her to destroy," I said, standing up from the leather chair. I buttoned my coat and picked up my bag.

Hannah pushed away from the window and followed me toward the door. "I'm coming with you."

"No," I told her, turning to look my friend in the eye. "This is mine to finish."

The drive back to South Boulevard took longer than it should have. The rain had cleared, leaving the streets wet and shining under a gray October sky. When I pulled up in front of Bloom & Co., the front display windows looked exactly as they always did: elegant arrangements of white roses, eucalyptus, and seasonal hydrangeas arranged behind spotless plate glass.

I unlocked the front door and stepped inside.

The studio smelled of damp stems, fresh water, and crushed greenery. The overhead lights were off, leaving the space bathed in the natural gray morning light.

Claudine was standing by the large marble prep table in the center of the room. She wasn't wearing her ivory blouse today; she wore a dark trench coat, her car keys resting beside a manila folder on the edge of the table.

She looked up as the door chimed softly behind me.

"You actually came," Claudine said, a thin, humorless smile touching her lips. "I thought you’d hide behind your lawyer like a sensible corporate wife."

"The injunction is already filed, Claudine," I said, walking slowly toward the center of the room, stopping ten feet from the prep table. "Your accounts are frozen. The wire transfer to the Caymans was blocked. Your corporate history in Charleston, Atlanta, and Nashville is sitting on Julian Vance's desk."

For the first time, the immaculate composure cracked.

Claudine’s eyes narrowed into hard, dark slits. The polite, professional veneer slipped away entirely, revealing the desperate, calculating core underneath.

"You think a piece of paper from a local judge stops anything?" she hissed, taking a step forward. "I built this brand with you. I brought in the corporate clients. Without me, Bloom & Co. is just a dusty little flower shop run by a woman who couldn't even remember her own schedule."

"You didn't build anything, Claudine," I said, my voice steady, carrying no trace of fear or hesitation. "You just rented space in my life until you could figure out how to lock the door behind you."

She reached out and snatched the manila folder from the table, lifting the cover to reveal a stack of printed papers. "You think you won? I still have the complete medical log. I still have the draft of the press release detailing your 'unstable medical leave' ready to send to every major event planner in North Carolina."

She raised her hand to toss the folder across the room, but before she could move, the back studio door swung open with a sharp click.

A tall man in a dark trench coat stepped into the prep area, holding a small digital recording device in his hand. He didn't look like a police officer, and he didn't look like a lawyer. He looked like an investigator who had spent thirty years watching people dig their own graves.

Elena Vance stepped in right behind him, her expression calm and professional.

"The conversation is recorded, Claudine," Elena said quietly, stepping around the corner of the flower rack. "Every word you just said about the medical fabrication, the forged restructuring agreement, and the intentional asset diversion has been captured and transmitted directly to the state fraud division."

Claudine froze, her hand hovering over the manila folder. She looked from Elena to the digital recorder, then back to me.

The color drained completely from her face. For the first time since I had watched her kiss my husband in the Ballantyne Hotel lobby, she looked like a woman who had finally run out of exits.

"You set a trap," she whispered.

"No," I said, taking one final step toward the prep table and resting my hand on the cool marble surface beside the white peonies. "I just stopped letting you write the schedule."

Elena stepped forward, pulling a pair of cold steel handcuffs from her jacket pocket.

"Claudine Hayes," Elena said clearly, her voice echoing in the quiet studio. "You need to come with us."

As the cuffs clicked shut around her wrists, the front door chimed again.

A delivery courier pushed his way inside, holding a small cardboard box wrapped in brown paper, addressed directly to me.

May you like

I looked down at the label. There was no return address. Just a handwritten note attached to the top with a piece of green florist's tape.

Welcome back.

Other posts